Heidi Klum attnded the Vogue World: Milano 2026 event at the Galleria Vittorio Emanuele II on September 22. The fashion icon wore a sheer, black embroidered gown by Celia Kritharioti to align with the evening's specific artisanal theme.
Celia Kritharioti’s intricate black lace gown
The Celia Kritharioti gown featured a high neck and long sleeves, utilizing heavy floral embroidery to create a "tactile" version of the naked dress. According to the report, the Greek designer's work focused on intricate patterns blooming over the bust, navel, and thighs. This approach moved away from the sheer minimalism often seen on red carpets, opting instead for a look that felt deeply textured and layered.
Klum styled the transparent piece with minimal black underwear, sleek mules, and a silk clutch to maintain a sophisticated edge. Her beauty look remained classic, featuring voluminous blonde curls, bronzed skin, and a soft pinky-nude lip. The styling emphasized the craftsmanship of the garment rather than just the exposure of the skin, a hallmark of Klum's long-standing relationship with high-fashion silhouettes.
A tribute to Milanese lace and Renaissance craftsmanship
The event's theme, "The Artisanal Revolution," centered on Renaissance-era textures like brocades, ornament, and hand-worked surfaces. This choice highlights the deep history of lace in the Lombardy region, where Cantù has been a center for bobbin lace-making for centuries. As the report notes, Milanese lace has been a staple of the local fashion identity since the late 17th century, making the setting particularly resonant for a night dedicated to human touch and manual skill .
By wearing a gown that emphasized these hand-worked elements, Klum connected her personal style to the historical weight of the Milanese fashion scene. This move follows her previous appearances , such as last year when she wore a diaphanous Vivienne Westwood mini-dress featuring floral appliqués. Both looks suggest a preference for using transparency as a canvas for complex, decorative artistry.
The rise of body-conscious silhouettes at Vogue World
Body-conscious dressing appeared to be a recurring motif throughout the Vogue World: Milano festivities. While Klum opted for a black lace aesthetic, other attendees embraced similar themes of exposure and structure. Jordyn Woods, for instance, chose a sculptural white gown characterized by exaggerated hips and a plunging corset.
The trend of combining sheer elements with heavy fabrics was also seen in other high-fashion ensembles. the report highlights that the evening was defined by a tension between skin and structure, a theme that allowed designers to showcase both the human form and the technical skill required to drape fabric over it.
The mystery of the unnamed "Johnson" in Valentino
While the fashion coverage was extensive, several details regarding the attendees remain unverified. The report mentions an individual identified only as "Johnson" who wore a Valentino velvet jacket with a sculpted basque skirt and a transparent train. However, the source does not provide a first name or further context regarding this person's identity or professional background.
Furthermore, while the report notes the Greek provenance of the Celia Kritharioti dress,it does not explicitly detail how the designer's heritage interacts with the specific Milanese lace traditions being celebrated. This leaves a gap for fashion enthusiasts wondering if the look was a direct homage to Italian lace or a stylistic juxtaposition of Greek design and Italian history.
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